Review: ‘The Innocents’ channels subtle, unsettling horror with standout performances
Norwegian horror films are continually making their stamp on the zeitgeist, and Eskil Vogt’s “The Innocents” is the latest to do so.
Review: ‘Bergman Island’ chases ghosts
Josh Martin dives deep into the latest from director Mia Hansen-Løve IFC Films, “Bergman Island.”
Fantasia Review: ‘Baby Money’ delivers thrills and suspense in crime-drama
What Fantasia Festival’s “Baby Money” lacks in big-budget flair it makes up for in thrills and suspense.
Review: Mads Mikkelsen delivers another Danish hit with ‘Riders of Justice’
“Riders of Justice” is a shining example of Danish cinema, combining the grit of an action-thriller and the humanity and lightheartedness of real life.
Where to stream this year’s Best Picture nominees
Whether you’ve seen them all or haven’t seen any, we’re breaking down all eight Best Picture nominees and where to stream them!
Review: ‘Saint Maud’ is a haunting slow burn with heady, supernatural thrills
“Saint Maud” is brimming with enough supernatural scares and body horror to satisfy genre fans, and at the same time there are enough heady questions and psychological horror to thrill the rest.
Review: ‘Dreamland’ is a thin, empty attempt at drama
“Dreamland” is undercut by a thin script with even thinner characters, leaving no substance with which the audience can connect.
Review: Charlie Hunnam delivers a career-best performance in ‘Jungleland’
In “Jungleland,” director Max Winkler has crafted a story of survival that feels familiar, both cinematically and personally.
Review: ‘Love and Monsters’ is a fun, action romp
If a fun “popcorn” film is what you seek, then “Love and Monsters” delivers with a light adventure romp and plenty of heart and monster action.
Review: ‘Possessor’ is a gruesome, bloody look at the human psyche
While “Possessor” will certainly not appeal to the masses, the individuals who do seek it out will not be disappointed.
Review: ‘Antebellum’ wastes an intriguing premise by focusing on all the wrong things
“Antebellum” tries its hardest to deliver the same suspense and damning social commentary that Jordan Peele’s films do, but the ham-fisted result pales in comparison.
Review: ‘Bill & Ted Face the Music’ will leave fans satisfied
If you’re a fan of the first two films, then you will certainly not be disappointed with “Bill & Ted Face the Music.”
Review: Mark Rylance carries ‘Waiting for the Barbarians’
Director Ciro Guerra’s latest film verges on becoming an awards contender, but ultimately falls short.
Review: ‘Yes, God, Yes’ delivers fresh, real coming-of-age story
In a world where female sexuality is so often associated with guilt and shame, “Yes, God, Yes” provides a refreshing take on the pleasure it can bring.
Review: ‘The Rental’ offers nothing new to horror genre
Unfortunately, this vacation gone awry isn’t anything you haven’t already seen done before – and done better.
Review: The beauty of ‘First Cow’ lies in its simplicity
Kelly Reichardt’s “First Cow” uses a simple story and deliberate pacing to create an endearing story of friendship and adventure.