Although expertly crafted and executed, “She Dies Tomorrow” is definitely an art film – and one that is abrasive and befuddling at that.
After a 16-year hiatus, director Eric Bress is back with “Ghosts of War,” but the return didn’t go as planned.
Despite its inconsistencies, “The Vast of Night” proves to be a chilling and refreshing sci-fi thriller in a time oversaturated with outer space blockbusters.
In “The Invisible Man,” writer-director Leigh Whannell has crafted a smart, satisfying and flat-out terrifying modern twist on H.G. Wells’ classic tale.
“Joker” is an unsettling and extremely heavy film, and at times it verges on being unenjoyable, but there are still enough elements to impress – mainly in Phoenix’s broken performance.
There’s plenty to like about “It Chapter Two,” but ultimately it’s unable to capture the same aura that made its predecessor so enthralling.
“Pet Sematary” is a middle of the road horror adaptation with a handful of solid scares and unnerving performances, that ultimately struggles to overcome issues with pacing and an abundance of exposition.
After bursting onto the scene in 2017 with Get Out, director Jordan Peele is back for more with his sophomore feature, Us. While his directorial debut was certainly a thriller filled with plenty of scares, the film’s focus was its brilliant social commentary; but this time around, it’s all about the terror.
“Hereditary” does to its audience exactly what its villains do to their victims – weaken you until you’re at your most vulnerable, and then attack when you’re unable to defend yourself.