Podcast: Revisiting The Golden Age – ‘The Lady Vanishes’ (1938) feat. Jesse Nussman
Josh Martin is joined by Film Inquiry’s Jesse Nussman to discuss the last of Alfred Hitchcock’s British films, 1938’s “The Lady Vanishes.”
Podcast: Revisiting The Golden Age – ‘The Invisible Man’ (1933) feat. Emilie Osborne
Josh is joined by Emilie Osborne to discuss James Whale’s “The Invisible Man” (1933).
The most shocking moments from ‘Borat Subsequent Moviefilm’
We all know about that scene, but what else was shocking in “Borat Subsequent Moviefilm”?
Podcast: Revisiting The Golden Age – ‘Freaks’ (1932) feat. Jake Lawler
Josh is joined by Jake Lawler to discuss Tod Browning’s “Freaks” (1932).
Inside The Film Room launches new podcast examining Hollywood classics
Join Josh Martin for “Revisiting The Golden Age,” Inside The Film Room’s new podcast examining classic Hollywood.
Review: ‘On The Rocks’ is a light, charming adventure thanks to Murray and Jones
Sometimes simplicity works, and “On The Rocks” is a great reminder of that – especially when a pair like Jones and Murray are able to carry the film all on their own.
Review: ‘Possessor’ is a gruesome, bloody look at the human psyche
While “Possessor” will certainly not appeal to the masses, the individuals who do seek it out will not be disappointed.
Review: ‘Nomadland’ is a powerful indictment of America in the form of a beautiful memoir
“Nomadland” is simultaneously timeless and timely, standing tall as both a stunning indictment of America’s broken systems and a beautiful memoir of a woman wandering through badlands.
Review: ‘Kajillionaire’ is another worthy entry in Miranda July’s ‘slice of life’ filmography
“Kajillionaire” is another enjoyable indie hit from directory Miranda July.
Review: ‘The Trial of the Chicago 7’ is an instant Best Picture front-runner
Aaron Sorkin’s “The Trial of the Chicago 7” delivers a compelling and timely story that cements it as a Best Picture front-runner.
Review: ‘Enola Holmes’ delivers fun, thrilling twist to Holmes mysteries
By telling a story of empowering women to fight for themselves and outwit those who seek to dominate them, “Enola Holmes” strikes the right notes – especially today.
Review: ‘Tenet’ collapses under the weight of Christopher Nolan’s ambition
“Tenet” is Christopher Nolan’s loudest, biggest, most convoluted film ever – but that doesn’t mean it’s his best.
Review: ‘Project Power’ never dives deeper than surface level thrills
“Project Power” is entertaining enough to make do in a summer lacking major blockbuster thrills, but before long it will be lost in the shuffle of Netflix Originals.
Review: Mark Rylance carries ‘Waiting for the Barbarians’
Director Ciro Guerra’s latest film verges on becoming an awards contender, but ultimately falls short.
Review: ‘Yes, God, Yes’ delivers fresh, real coming-of-age story
In a world where female sexuality is so often associated with guilt and shame, “Yes, God, Yes” provides a refreshing take on the pleasure it can bring.
Review: Despite artistic value ‘She Dies Tomorrow’ falls short
Although expertly crafted and executed, “She Dies Tomorrow” is definitely an art film – and one that is abrasive and befuddling at that.