A pop culture breakdown analyzing the latest film, television and entertainment news.
“The Way Back” is a showcase for its leading man, with Affleck throwing raw emotion onto the screen. It’s a film that borders on greatness thanks to this inspired story and Affleck’s powerful performance.
While it may not be top-tier Pixar, falling somewhere in the middle, “Onward” hits all of the required marks for success – from the trademark stunning animation to the instantly likable characters, and of course, its deeply moving emotional measures.
The early months of any year often mean a slow start at the box office, but getting out of the dreary winter months means a new slew of potential box office hits is coming.
In “The Invisible Man,” writer-director Leigh Whannell has crafted a smart, satisfying and flat-out terrifying modern twist on H.G. Wells’ classic tale.
The Safdie brothers’ exhilarating and anxiety-inducing thriller is like an adrenaline shot straight to the chest — and without Sandler, none of it would work.
When it comes to carrying on the tale of Anna and Elsa, “Frozen II” is fine, however, it does so in a way that’s devoid of any of the heart or purpose that made audiences fall for the story in the first place.
A two-time Oscar-winning director teaming up with one of Hollywood’s most loveable leading men? What could go wrong? Well, it turns out the answer is quite a bit.
It’s common knowledge throughout the entertainment industry that January is where movies go to die – and the latest Matthew McConaughey project is no exception.
