A pop culture breakdown analyzing the latest film, television and entertainment news.
Well… it’s January, folks. That means it’s time to struggle through a slew of mediocre movies until the exciting ones show up, and director William Eubank’s “Underwater” is here to get things started.
The North Carolina Film Critics Association announced the winners of its eighth annual Film Awards on Friday, and “Parasite” was the big winner.
The holidays are always a busy time at the box office. Whether it’s big-budget blockbusters trying to capitalize on audiences having time off or awards contenders barely squeaking by the deadline, there are plenty of options to check out. Here are some of our favorite new releases from this holiday season to save you from going to see “Cats.”
Check out the Inside The Film Room staff’s favorite movies of 2019!
The year 2019 is coming to a close, and that can only mean one thing: it’s time for year-end lists! Over the next few weeks we’ll be revealing our “Best … Continue Reading Best of 2019: Top 25 Movies
With the 2010s coming to a close, Inside The Film Room is awarding End of the Decade Awards to the very best elements of film and entertainment over the past 10 years. Today, Johnny Sobczak is handing out the award for Director of the Decade.
The Safdie brothers’ exhilarating and anxiety-inducing thriller is like an adrenaline shot straight to the chest — and without Sandler, none of it would work.
Despite being overwhelmed by two films worth of exposition and plot condensed into one, “The Rise of Skywalker” provides enough satisfying moments to pass as an acceptable finale to the Skywalker Saga. It’s sure to be controversial, revealing rewritten answers to some of the franchise’s biggest questions, and perhaps raising more than it answers – but there’s enough fan service and nostalgia inside to make it work, as long as you don’t think too hard about what actually happens.
Each year, a handful of newcomers step into the spotlight and truly blow audiences away. Whether it’s on the big screen, in a Netflix series, or in some cases, maybe even both, these rising stars quickly cement themselves as some of the best in the business.
Just like the video game at its core, “Jumanji: The Next Level,” is even more expansive, entertaining and ridiculous this time around.
The biggest problem facing “A Beautiful Day in the Neighborhood” comes when Hanks is offscreen. During his limited time, he’s absolutely magnetic, but without him, things tend to drag.
Even with a truly staggering running time, Scorsese’s epic is fast and funny, often coasting off the joy of watching its all-star ensemble go to work.
In “Knives Out,” Johnson has crafted a brilliant, fast-paced comedy-thriller capable of perfectly modernizing the classic murder mystery.
When it comes to carrying on the tale of Anna and Elsa, “Frozen II” is fine, however, it does so in a way that’s devoid of any of the heart or purpose that made audiences fall for the story in the first place.
James Mangold’s “Ford v Ferrari” is a proper adult drama set at 200 miles per hour.
As simplistic and predictable as “Last Christmas” may be, it still gets the job done once you admit you’re ready to feel all warm and fuzzy and embrace the holiday season.
