While “Antlers” delivers when it comes to scares and monsters, its plot is far too thematically overwhelming to properly execute on everything it wishes to explore.
Denis Villeneuve’s sci-fi epic, “Dune,” has finally arrived, and Johnny Sobczak is breaking it down.
Review: Hamaguchi’s patient, surprising triptych ‘Wheel of Fortune and Fantasy’ is the film of the year so far
“Wheel of Fortune and Fantasy” delivers three stories in one film, in a way only a director as masterful as Ryūsuke Hamaguchi can.
Josh Martin dives deep into the latest from director Mia Hansen-Løve IFC Films, “Bergman Island.”
If “Cry Macho” is the film that ultimately ends Eastwood’s illustrious career — or even if it’s merely his last screen appearance — it deserves to go down as a satisfying coda.
Marvel has welcomed its latest superhero to the big screen and the MCU in “Shang-Chi and the Legend of the Ten Rings.”
Channeling some of the best horror films of recent years, “The Night House” blends existential dread, trauma, grief and good old fashioned spectral haunts to create the year’s most chilling film yet.
First-time director Edson Oda has crafted a beautiful, thought-provoking look at what it means to live in “Nine Days.”
Review: Ambitious ‘The Green Knight’ adaptation delivers fabulous images, plenty of style, but little else
“The Green Knight” is a rather lengthy, formally rigorous film, where both the employment of slow time and the form are far less effective than they should be.
Disney’s “Jungle Cruise” adventure pulls from the genre’s best, and Dwayne Johnson and Emily Blunt make the ride worthwhile.
If you can get over the silliness of “Werewolves Within,” it’s definitely a film worth seeking out.
“F9” may not deliver many surprises, yet there is more than enough happiness and comfort to be found in massive set pieces, lovable characters and high-speed insanity.
While an encounter with the hitman, his wife and the bodyguard is certain to be violent and painful, the trio almost always put their victims out of their misery swiftly. Lucky for audiences, “The Hitman’s Wife’s Bodyguard” does the same.
With thrilling monster encounters and new, inventive ways to deal with a world gone silent, “A Quiet Place Part II” does nothing but build on its predecessor.
“Cruella” is a genuinely fantastic film – and far and away the best Disney live-action entry to date.
“Riders of Justice” is a shining example of Danish cinema, combining the grit of an action-thriller and the humanity and lightheartedness of real life.