The latest in movie, television and pop culture news and reviews.
“John Wick: Chapter 4” culminates with some of the most spectacular action sequences in recent American cinema, while also managing to reinject some of the first chapter’s emotional weight.
After spending the last decade-plus forgetting about the first “Avatar,” it’s going to be hard to stop thinking about “The Way of Water.”
“Black Panther: Wakanda Forever” tackles grief and loss, honors Chadwick Boseman, and still functions as a compelling sequel.
Norwegian horror films are continually making their stamp on the zeitgeist, and Eskil Vogt’s “The Innocents” is the latest to do so.
Director Sam Raimi’s fingerprints are all over “Multiverse of Madness,” making for a thrilling and scary new chapter in the MCU.
With top-notch animation and a message that will hit home with parents and children, “The Bad Guys” is a hit.
While “Marry Me” almost elevates itself above its peers, it ultimately falls victim to genre tropes and is unable to nail down its tone.
“Moonfall” never fully embraces the absurdity of its plot, and as a result, is a failure to launch.
“Scream” continues Wes Craven’s legacy with a story that is just as clever and suspenseful as its predecessors.
It’s hard to believe that one of Hollywood’s greatest stars has yet to lead his own film, but here Mahershala Ali is – one Oscar under his belt – and … Continue Reading Review: Ali delivers powerhouse performances in teary drama ‘Swan Song’
“C’mon, C’mon” earns its emotional ups and downs on its way to being one of the best films of 2021.
“Red Notice” is undoubtedly big, but it’s also unnecessarily messy, painfully unfunny and, well, just plain dumb.
While “Antlers” delivers when it comes to scares and monsters, its plot is far too thematically overwhelming to properly execute on everything it wishes to explore.
Denis Villeneuve’s sci-fi epic, “Dune,” has finally arrived, and Johnny Sobczak is breaking it down.
“Wheel of Fortune and Fantasy” delivers three stories in one film, in a way only a director as masterful as Ryūsuke Hamaguchi can.
Josh Martin dives deep into the latest from director Mia Hansen-Løve IFC Films, “Bergman Island.”