Inside The Film Room senior writer got the chance to speak with four-time Academy Award-winning visual effects supervisor Joe Letteri about his career and upcoming projects.
James Mangold’s “Ford v Ferrari” is a proper adult drama set at 200 miles per hour.
“Portrait of a Lady on Fire” plays out very much like the painting of a masterpiece. It takes its time, slowly sketching out the skeleton. Its movements are careful and tender. Eventually, the details are filled in, and all of the elements come together to create something greater than the sum of its parts.
Taiki Waititi’s “Jojo Rabbit” took home TIFF’s Audience Award, and the Inside The Film Room staff got the chance to check out the World War II fantasy satire at Film Fest 919.
With a masterpiece like “Marriage Story,” Netflix looks poised to win big at the Oscars this year.
“Parasite” has been hailed as not only the best film of the year, but one of the best films of the decade. The hype is rightfully earned.
Noah Baumbach’s “Marriage Story” is already being praised as a major awards contender, and the Inside The Film Room staff is here to let you know if the hype is real.
At this point, it’s common knowledge that nearly everything A24 touches turns to gold. Sure, there are a few exceptions (looking at you, “Spring Breakers”), but just looking at the … Continue Reading Review: ‘Waves’ is a beautiful, immersive story of tragedy and how it’s overcome
“Waves” is the latest hit from A24, and the Inside The Film Room staff got an early look at the film at Film Fest 919.
Writer-director Bong Joon-ho’s South Korean film “Parasite” is being heralded as one of the year’s best films. The Inside The Film Room staff got a chance to check out the comedy-thriller at Film Fest 919.
The second annual Film Fest 919 will kick off in Chapel Hill, N.C. at Silverspot Cinemas on Wednesday, and Inside The Film Room will be reporting from the red carpet all week long.
A charming and charismatic performance by Robert Redford elevates “The Old Man & the Gun” from a typical heist film to one worth watching over and over again.
Simply put, “What They Had” is the definition of a stellar ensemble film. Led by a deeply moving performance from Hilary Swank coupled with writer/director Elizabeth Chomko’s cutting script, “What They Had” makes for an incredibly emotional trip to the theater.
“Roma” has been widely referred to as Cuarón’s most personal project yet, and it’s not hard to see why – he put everything he has into this film.