Lukas Dhont’s Belgian coming-of-age film “Close” highlights Film Fest 919, while “BARDO” and “Women Talking” also impress.
“C’mon, C’mon” earns its emotional ups and downs on its way to being one of the best films of 2021.
As festival season ramps up, senior writer Johnny Sobczak reveals his first batch of Oscar predictions for the 94th Academy Awards.
Review: Ambitious ‘The Green Knight’ adaptation delivers fabulous images, plenty of style, but little else
“The Green Knight” is a rather lengthy, formally rigorous film, where both the employment of slow time and the form are far less effective than they should be.
“Saint Maud” is brimming with enough supernatural scares and body horror to satisfy genre fans, and at the same time there are enough heady questions and psychological horror to thrill the rest.
It’s been a strange year for film, but that doesn’t mean there haven’t been a handful of great ones. Check out Zach’s Top 10 Movies of 2020.
It’s been a strange year for film, but that doesn’t mean there haven’t been a handful of great ones. Check out Johnny’s Top 10 Movies of 2020.
It’s been a strange year for film, but that doesn’t mean there haven’t been a handful of great ones. Check out Joel’s Top 10 Movies of 2020.
In the thick of awards season, Johnny Sobczak takes a look at the chances for “The Trial of the Chicago 7,” One Night In Miami” and “Minari.”
“Minari” is not only another testament to the shared experiences of immigrant families in America, but to Americans in general, reminding what makes this country strong in the first place.
Sometimes simplicity works, and “On The Rocks” is a great reminder of that – especially when a pair like Jones and Murray are able to carry the film all on their own.
Kelly Reichardt’s “First Cow” uses a simple story and deliberate pacing to create an endearing story of friendship and adventure.
The Safdie brothers’ exhilarating and anxiety-inducing thriller is like an adrenaline shot straight to the chest — and without Sandler, none of it would work.
At this point, it’s common knowledge that nearly everything A24 touches turns to gold. Sure, there are a few exceptions (looking at you, “Spring Breakers”), but just looking at the … Continue Reading Review: ‘Waves’ is a beautiful, immersive story of tragedy and how it’s overcome
“Waves” is the latest hit from A24, and the Inside The Film Room staff got an early look at the film at Film Fest 919.
“Midsommar” is a sophomore accomplishment worth celebrating, even if its glacial pacing and indulgence may alienate viewers.