
Review: Season 4 of ‘The Crown’ goes bigger than before
Season 4 of “The Crown” trades the series’s subtleties for storytelling on a grand scale.
The latest in movie, television and pop culture news and reviews.
Season 4 of “The Crown” trades the series’s subtleties for storytelling on a grand scale.
Thrilling capsule episode or boring filler episode? That’s the question for Chapter 10 of “The Mandalorian.”
Zach and Johnny are venturing into Apple TV+ to talk Sofia Coppola’s “On The Rocks.” Plus, “The Mandalorian” premiere, first reviews of “Mank,” and the worst movie idea ever!
“The Mandalorian” Season 2 premiere delivered action, easter eggs and surprises, and we’re breaking them all down in our Chapter 9 Recap.
Josh Martin is joined by Film Inquiry’s Jesse Nussman to discuss the last of Alfred Hitchcock’s British films, 1938’s “The Lady Vanishes.”
Remember, remember to get “V for Vendetta” on 4K UHD November 3.
Here are all the best new movies and shows hitting Netflix, HBO Max, Disney+ and Hulu this November.
Zach and Johnny are here to break down “Borat Subsequent Moviefilm.” Very nice! Plus, the guys discuss the return of “Euphoria,” Denis Villeneuve’s next project and the week’s new trailers.
Josh is joined by Emilie Osborne to discuss James Whale’s “The Invisible Man” (1933).
We all know about that scene, but what else was shocking in “Borat Subsequent Moviefilm”?
Josh is joined by Jake Lawler to discuss Tod Browning’s “Freaks” (1932).
“Minari” is not only another testament to the shared experiences of immigrant families in America, but to Americans in general, reminding what makes this country strong in the first place.
“Rebecca” may not live up to the Best Picture quality of its predecessor, but it’s a worthy remake
Join Josh Martin for “Revisiting The Golden Age,” Inside The Film Room’s new podcast examining classic Hollywood.
The final trailer for Season 2 of “The Mandalorian” is here, and excitement is at an all-time high.
Sometimes simplicity works, and “On The Rocks” is a great reminder of that – especially when a pair like Jones and Murray are able to carry the film all on their own.