“Halloween Ends” boasts over 30 minutes of extras on 4K Ultra HD Blu-ray, but the finale is too much of a diversion from the franchise roots.
After spending the last decade-plus forgetting about the first “Avatar,” it’s going to be hard to stop thinking about “The Way of Water.”
Lukas Dhont’s Belgian coming-of-age film “Close” highlights Film Fest 919, while “BARDO” and “Women Talking” also impress.
Holiday classics “National Lampoon’s Christmas Vacation,” “A Christmas Story,” “Elf,” and “The Polar Express” make their 4K Ultra HD debuts.
Warner Bros. Home Entertainment is releasing an all-time classic and two 2022 releases on 4K Ultra HD in November.
As Star Wars continues to balance the new and the old, “Tales of the Jedi” is the perfect way for Lucasfilm to have its cake and eat it too.
Josh Martin is joined by Film Inquiry’s Jesse Nussman to discuss the last of Alfred Hitchcock’s British films, 1938’s “The Lady Vanishes.”
Josh is joined by Emilie Osborne to discuss James Whale’s “The Invisible Man” (1933).
We all know about that scene, but what else was shocking in “Borat Subsequent Moviefilm”?
Josh is joined by Jake Lawler to discuss Tod Browning’s “Freaks” (1932).
Join Josh Martin for “Revisiting The Golden Age,” Inside The Film Room’s new podcast examining classic Hollywood.
Sometimes simplicity works, and “On The Rocks” is a great reminder of that – especially when a pair like Jones and Murray are able to carry the film all on their own.
While “Possessor” will certainly not appeal to the masses, the individuals who do seek it out will not be disappointed.
“Nomadland” is simultaneously timeless and timely, standing tall as both a stunning indictment of America’s broken systems and a beautiful memoir of a woman wandering through badlands.
“Kajillionaire” is another enjoyable indie hit from directory Miranda July.
Aaron Sorkin’s “The Trial of the Chicago 7” delivers a compelling and timely story that cements it as a Best Picture front-runner.