Review: ‘Ford v Ferrari’ is loud, fast and tons of fun
James Mangold’s “Ford v Ferrari” is a proper adult drama set at 200 miles per hour.
Review: ‘Last Christmas’ is a predictable yet pleasant holiday heart-warmer
As simplistic and predictable as “Last Christmas” may be, it still gets the job done once you admit you’re ready to feel all warm and fuzzy and embrace the holiday season.
Review: ‘Doctor Sleep’ revisits old haunts with a new, supernatural twist
While it doesn’t channel the same horrors as its predecessor once did, “Doctor Sleep” provides an intriguing exploration of the lore and mythology at the heart of the series.
Review: ‘Portrait of a Lady on Fire’ is an intimate, authentic look at queer romance
“Portrait of a Lady on Fire” plays out very much like the painting of a masterpiece. It takes its time, slowly sketching out the skeleton. Its movements are careful and tender. Eventually, the details are filled in, and all of the elements come together to create something greater than the sum of its parts.
Review: ‘Zombieland: Double Tap’ is well worth the 10-year wait
After 10 years of waiting, the highly anticipated Zombieland sequel finally arrived, and it’s certainly worth the wait. “Double Tap” is a smart, entertaining adventure that perfectly realigns itself with the world fans have dreamed of returning to for years.
Exit Survey: ‘Jojo Rabbit’
Taiki Waititi’s “Jojo Rabbit” took home TIFF’s Audience Award, and the Inside The Film Room staff got the chance to check out the World War II fantasy satire at Film Fest 919.
Review: ‘Marriage Story’ is a near-perfect look at love and heartbreak
With a masterpiece like “Marriage Story,” Netflix looks poised to win big at the Oscars this year.
EXCLUSIVE: Dan Lemmon joins ‘The Batman’ as VFX supervisor
In an exclusive interview at Film Fest 919, senior visual effects supervisor Joe Letteri of Weta Digital said his colleague Dan Lemmon will be serving as the visual effects supervisor on “The Batman.”
Review: ‘Parasite’ is a masterpiece from Bong Joon-ho
“Parasite” has been hailed as not only the best film of the year, but one of the best films of the decade. The hype is rightfully earned.
Exit Survey: ‘Marriage Story’
Noah Baumbach’s “Marriage Story” is already being praised as a major awards contender, and the Inside The Film Room staff is here to let you know if the hype is real.
Review: ‘Waves’ is a beautiful, immersive story of tragedy and how it’s overcome
At this point, it’s common knowledge that nearly everything A24 touches turns to gold. Sure, there are a few exceptions (looking at you, “Spring Breakers”), but just looking at the … Continue Reading Review: ‘Waves’ is a beautiful, immersive story of tragedy and how it’s overcome
Exit Survey: ‘Waves’
“Waves” is the latest hit from A24, and the Inside The Film Room staff got an early look at the film at Film Fest 919.
Exit Survey: ‘Parasite’
Writer-director Bong Joon-ho’s South Korean film “Parasite” is being heralded as one of the year’s best films. The Inside The Film Room staff got a chance to check out the comedy-thriller at Film Fest 919.
Review: ‘Revolutionary’ visuals can’t save ‘Gemini Man’ from shallow script
A two-time Oscar-winning director teaming up with one of Hollywood’s most loveable leading men? What could go wrong? Well, it turns out the answer is quite a bit.
Podcast: Inside The Film Room launches Star Wars series ‘Far, Far Away’
Inside The Film Room today launched its new Star Wars-focused podcast series, “Far, Far Away.”
Exit Survey: ‘Joker’
Todd Phillips’ “Joker” opened this weekend, and the Inside The Film Room staff is here to give you their rapid reactions to Joaquin Phoenix’s take on the Clown Prince of Crime.
