Inside The Film Room senior writer got the chance to speak with four-time Academy Award-winning visual effects supervisor Joe Letteri about his career and upcoming projects.
“The Way Back” is a showcase for its leading man, with Affleck throwing raw emotion onto the screen. It’s a film that borders on greatness thanks to this inspired story and Affleck’s powerful performance.
The early months of any year often mean a slow start at the box office, but getting out of the dreary winter months means a new slew of potential box office hits is coming.
While the story doesn’t do anything to reinvent the wheel, it’s still everything you could ask for from the first ever live-action Sonic the Hedgehog film. Sonic is beautifully brought to life with the rejuvenated effects and the film does enough to entertain and engage both children and adults.
With the 2010s coming to a close, Inside The Film Room is awarding End of the Decade Awards to the very best elements of film and entertainment over the past 10 years. Today, Johnny Sobczak is handing out the award for Director of the Decade.
James Mangold’s “Ford v Ferrari” is a proper adult drama set at 200 miles per hour.
“Portrait of a Lady on Fire” plays out very much like the painting of a masterpiece. It takes its time, slowly sketching out the skeleton. Its movements are careful and tender. Eventually, the details are filled in, and all of the elements come together to create something greater than the sum of its parts.
In an exclusive interview at Film Fest 919, senior visual effects supervisor Joe Letteri of Weta Digital said his colleague Dan Lemmon will be serving as the visual effects supervisor on “The Batman.”
“Parasite” has been hailed as not only the best film of the year, but one of the best films of the decade. The hype is rightfully earned.
“Midsommar” is a sophomore accomplishment worth celebrating, even if its glacial pacing and indulgence may alienate viewers.